Ellys Manor House

The house with iconic stepped gables reminiscent of Flanders is an architectural gem.
The main feature however is a scheme of early 16th century wall paintings said to be the most complete, extensive and important domestic decoration of this date in the country.
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About Ellys Manor House
A unique and magical Tudor wool
merchant’s house, built in the Flemish style,
Ellys Manor House is an architectural gem.
The main feature of the house is a fabulous
scheme of early 16th century wall paintings
in the upper rooms.
Described by architectural historian Sir Nikolaus
Pevsner as, “a rare English interpretation of
French verdure tapestries”. The wall paintings
dated around 1500 are said to be “the most
complete, extensive and important domestic
decoration of this date in the country.”
A truly continental house, reflecting the Northern
Renaissance. The building and paintings are of
outstanding historical interest: Pevsner, The
Buildings of England. An absolute ‘Must See!’
ELLYS MANOR HOUSE (pronounced Ellis) is
affectionately referred to as EMH. The house was built
in the late 15th to early 16th centuries by the Ellys family who were rich wool merchants. They traded wool between
England and Flanders, thus the Flemish architectural style.
EMH appears to rise organically from the ground like a
volcanic plug, its base following the contour of the land.
The house stands in an elevated position adjacent to the
church of the Holy Cross. It was built to impress.
EMH is a miracle of survival, remaining little altered
through the intervening centuries and retaining many
original features.
The house is robust and imposing, with it’s dense
stone walls and deep-set mullioned windows with
shallow Tudor arches to throw off the rain.
The ceilings are high throughout, with huge oak
beams, some of the beams still have good tincture of
black and red ochre.
The massive stone fireplaces would do most castles
proud. There is a sense of grandeur about the house.
EMH from the south appears serene. The church
tower soars high above the roofline; one can appreciate
the decorated battlements, the eight pinnacles - on top of one sits a weather-vane in the shape of a golden
fiddle.
The juvenile Deodara cedar tree in the
foreground, was planted in the early nineties, and
stands in the exact position, where once stood a massive
weeping wych elm (sadly a victim of Dutch elm
disease). Our hope is that one day the deodara will
make as splendid a display.
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